Result found for “LA CLUB RESOURCE”

=BACK IN= Aussie Psychedelic King KING GIZZARD AND THE LIZARD WIZARD, a 2017 work that produced a co-starring board with LA's Stones Throw enrolled MILD HIGH CLUB between his own releases that never stop. The soft pop line that KING GIZZARD had a glimpse of has blossomed with MHC's AOR-jazz technique, making it even more astonishing.

=BACK IN= Aussie Psychedelic King KING GIZZARD AND THE LIZARD WIZARD, a 2017 work that produced a co-starring board with LA's Stones Throw enrolled MILD HIGH CLUB between his own releases that never stop. The soft pop line that KING GIZZARD had a glimpse of has blossomed with MHC's AOR-jazz technique, making it even more astonishing.

A six-track album by LA Club Resource that pays homage to Chicago classics and features artists such as Boyd Jarvis, Marcus Mixx, Gherkin, and Nick Nonstop.

Valcrond Video, the label of TORN HAWK, has a new album from Italian producer G-23. Disco and vocoder-like synths like LA Club Resource and early LCD SOUNDSYSTEM, as well as EBM's drivin' direction, 4 tracks with hidden directionality. Includes version B1 with a moro TORN HAWK crying guitar, Access Code (Mr Husk Unmix).

Mannequin's techno 12-inch series that sells out every time, this time it's the Hamburg duo FALLBEIL. In addition to the original A1 driven by a mix of villainous acid and beam synths, a nice remix of REZZETT by INNSYTER from LA Club Resource, who had a wonderful 12-inch under the name of SEIXLACK, became macho and straight techno.

=BACK IN= The 6th edition of Contort Yourself, a Glasgow compilation label that has a wonderful mix of 80's~90's original industrial/EBM and current upcoming artists, and makes you listen to industrial without getting bored. In addition to NOCTURNAL EMISSIONS' 2 songs from 1983, which have a great sense of 80's real industrial, LIES boss Ron Morelli performed a wonderful noise space beat remix under the pseudonym U-202. In addition, a great track featuring PENELOPE'S FIANCE's guitar at the beginning, LA Club Resource's INNSYTER who is also active under the name of SEIXLACK's undulating bass is a perverted and goo noise techno, and TORRENT's EBM track is a wonderful piece.

Delroy Edwards, the boss of LA Club Resource. He's a rich kid, but that's why he's so aggressive. As a result, all of his records sold out immediately. So this 2019 mini-album-like 12-inch released by Ron Morelli's Lies was another one. It's like a floor version of the world built by Ariel Pink and John Maus, who lead us to another world with their crazy worldview, demonstrated by their collaboration with Dean Blunt, on machine beats. It's like they've created a new mutant cyber floor with their parents' money, like a floor version of the world built by Ariel Pink and John Maus, who lead us to another world with their machine beats. This is a record of the highest quality. 6 songs in total.

Melbourne producer HARVEY SUTHERLAND has revived, full album from London's House Anxiety, which released the debut single under the name of KING KRULE's ZOO KID and the debut works of the late BIG PINK, COURTNEY BARNETT and HAZEL ENGLISH, 2022 . It's as if LA PRIEST and WORKING MENS CLUB have boogieized, and it's a boogie indie that no one could have played in a position that doesn't rely on electronics (so it's hard to reach the world). A large counter board. Moreover, there is no complaint that even the legend DAM-FUNK participated.